CLAYTON SINGLETON FINE ART
My artwork is about our abilities to create our own stories. Layering and juxtaposition are central to my treatment of appropriated vintage photos, wall papers, and texts. I'm drawn to the narratives of the people in the photos because their captured experiences parallel my own. I create “blended” narratives developed from various contexts that shape and shift identity. The repetition of Adinkra symbols, fragments of wall paper, flowers and text create a density reflective of circumstances.
Defining Beauty is a term I use identifying abstract roles used to actively describe and forge “selves.” These paintings on seemingly decorative backgrounds leave spaces to be filled in by the addition, subtraction, leaving and retrieving necessary to define an “individual-self.” Revealing the emotional process choreographed by contemporary society, my work echoes opportunities and moments in life that urge us forward and continue to inspire each of us to define our own beauty through living.
“You sense what people call passion” when you are around Clayton Singleton. This Virginia resident’s blend of verbal and visual art inspires, motivates and educates. In addition to being a member of the Hampton Roads National Poetry Slam Team, he has been noted in many publications ranging from The Virginian Pilot to Time magazine.
Clayton has painted public murals, won numerous awards, and produced several solo and group shows including Walking on Paper at ArtWorks gallery, Recent Works: ART INSTALLATION PERFORMANCE at SONO gallery and LOOK BEYOND at d’ART Center @The Selden, which benefited The Autism Society of Tidewater. The Virginia Opera commissioned Clayton to design sets for Porgy and Bess and Freedom’s Journey.
Clayton has served as a member of The d'ART Center Board of Directors and Norfolk Arts Commission in addition to producing his latest exhibition DEFINING BEAUTY at The Sandler Center for the Performing Arts. In January 2015 Clayton will display paintings, mixed media and video at the Peninsula Fine Arts Center in the group exhibition Looking Both Ways: Roots in African American Art